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On the History of Film Style |
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Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling |
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FilmArt: AnIntroduction |
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Christopher Nolan: A Labyrinth of Linkages |
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Pandora’s Digital Box: Films, Files, and the Future of Movies |
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Planet Hong Kong, second edition |
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The Way Hollywood TellsIt |
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Poetics of Cinema |
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Figures Traced InLight |
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Exporting Entertainment: America in the World Film Market 1907–1934 |
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Hou Hsiao-hsien: A new video lecture! |
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CinemaScope: The Modern Miracle You See Without Gla***es |
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How Motion Pictures Became the Movies |
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Constructive editing in Pickpocket: A video essay |
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Lessons with Bazin: Six Paths to a Poetics |
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A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History |
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Shklovsky and His “Monument to a Scientific Error” |
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Murder Culture: Adventures in 1940s Suspense |
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The Viewer’s Share: Models of Mind in Explaining Film |
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Common Sense + Film Theory = Common-Sense Film Theory? |
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Mad Detective: Doubling Down |
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The Cla***ical Hollywood Cinema Twenty-Five Years Along |
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Nordisk and the Tableau Aesthetic |
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William Cameron Menzies: One Forceful, Impressive Idea |
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Another Shaw Production: Anamorphic Adventures in HongKong |
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Paolo Gioli’s Vertical Cinema |
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(Re)Discovering Charles Dekeukeleire |
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Doing Film History |
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The Hook: Scene Transitions in Cla***ical Cinema |
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Anatomy of the Action Picture |
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Hearing Voices |
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Preface, Croatian edition, On the History of Film Style |
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Slavoj Žižek: Say Anything |
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Film and the Historical Return |
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Studying Cinema |
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thisblogpost |
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completepdf |
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newpreface |
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thisblogentry |
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Doing Film History |
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